The Wagnerian Experience Has Begun
Back in college when I first began becoming interested in opera, I listened exclusively to Italian opera, mostly Verdi and Puccini. Several roommates and friends I knew got into Wagner and were very excited to play selections from the Ring cycle, but I never understood Wagner's music, it just didn't make sense to me the way Verdi and Puccini did. My musical tastes have always run more to the simple, severe, and well-disciplined sounds, more Brahms and Sibelius than Bruckner or Mahler. But in the back of my mind I always knew there would come a time when I would grow to understand the appeal of Wagner. I even bought a CD of Tristan und Isolde (Suthaus/Flagstad/Furtwangler) and went to a San Francisco opera performance several years back, and while I enjoyed the experience, it didn't really grab a hold of me at all.
However, for a while now I've been looking for a new sound to get interested in. Despite not having heard probably half of the Italian repertoire operas (notably the operas by Bellini, and at least 2/3rds of Verdi's vast output), I have not been motivated to continue listening to any more of them. I've listened to practically every recording of Sibelius's symphonies that are out there, and despite trying to listen to Bruckner and Mahler and Shostakovich, I haven't really found anything that I can get really excited about. On the popular music side, I've been in the doldrums as well, with only a few interesting artists coming out per year since the early 2000's.
So last weekend I was doing errands at home and while ironing I flipped on the TV and saw that the Sci-Fi channel was running some mini-series called 'Dark Kingdom'. Since it was the middle of the day and there really was nothing on, I figured I'd watch it (OK, so it featured Kristanna Loken and Alicia Witt in it, so that made the decision easier!). Watching it I realized fairly quickly that it was basically the same story as Wagner's Ring cycle. For whatever reason, I thought the story was rather interesting (although I had never found the story interesting before), and decided to head to Amoeba to see if I could pick up a copy of the Ring for cheap.
Of course, there really is no such thing as a cheap copy of the Ring cycle. The cheapest is at least $80, with some sets going for close to $200. So, I decided to start out small and only get Das Rheingold. I found a copy of Solti's recording in very good condition for $15, and I remember that my college roommates raved about the recording, so I decided to purchase that one.
Quite surprisingly, I took to it from the very beginning. It may have been because the prelude was featured so prominently in the latest Terence Malick movie (the name slips my mind right now, but I didn't like the movie much, just the use of Wagner in the soundtrack). Or it may be that after listening to so much Bach recently that I've somehow matured enough to comprehend Wagner. But the end result is that I have basically been listening to it non-stop at work. I have the entire opera on repeat in my music player at work, and I find parts of it sticking in my mind when I am walking around or thinking random thoughts.
So, it's finally happened, I have progressed to a point where I can enjoy Wagner. We'll have to see if this continues through the other operas in the Ring cycle.
However, for a while now I've been looking for a new sound to get interested in. Despite not having heard probably half of the Italian repertoire operas (notably the operas by Bellini, and at least 2/3rds of Verdi's vast output), I have not been motivated to continue listening to any more of them. I've listened to practically every recording of Sibelius's symphonies that are out there, and despite trying to listen to Bruckner and Mahler and Shostakovich, I haven't really found anything that I can get really excited about. On the popular music side, I've been in the doldrums as well, with only a few interesting artists coming out per year since the early 2000's.
So last weekend I was doing errands at home and while ironing I flipped on the TV and saw that the Sci-Fi channel was running some mini-series called 'Dark Kingdom'. Since it was the middle of the day and there really was nothing on, I figured I'd watch it (OK, so it featured Kristanna Loken and Alicia Witt in it, so that made the decision easier!). Watching it I realized fairly quickly that it was basically the same story as Wagner's Ring cycle. For whatever reason, I thought the story was rather interesting (although I had never found the story interesting before), and decided to head to Amoeba to see if I could pick up a copy of the Ring for cheap.
Of course, there really is no such thing as a cheap copy of the Ring cycle. The cheapest is at least $80, with some sets going for close to $200. So, I decided to start out small and only get Das Rheingold. I found a copy of Solti's recording in very good condition for $15, and I remember that my college roommates raved about the recording, so I decided to purchase that one.
Quite surprisingly, I took to it from the very beginning. It may have been because the prelude was featured so prominently in the latest Terence Malick movie (the name slips my mind right now, but I didn't like the movie much, just the use of Wagner in the soundtrack). Or it may be that after listening to so much Bach recently that I've somehow matured enough to comprehend Wagner. But the end result is that I have basically been listening to it non-stop at work. I have the entire opera on repeat in my music player at work, and I find parts of it sticking in my mind when I am walking around or thinking random thoughts.
So, it's finally happened, I have progressed to a point where I can enjoy Wagner. We'll have to see if this continues through the other operas in the Ring cycle.
Labels: opera wagner solti
